Sunday, December 05, 2010

A November to Remember

I don't know if I will ever find the time to fully capture my music memories of November 2010. All I can say is if I could re-live these fleeting moments without having to resort to YouTube and pictures and even incomplete descriptions, I would. But this will have to do -- a blog to remember what happened.

Little Anchor
November 2, 2010
Rockwood Music Hall - Stage 1

Lovely as always to see Little Anchor. This was the second time I saw them performing at Rockwood Music Hall. I've said it before, but I'll say it again, the final song gets to me every single time. It's totally meant for a live performance, so I hope you all get to experience it sometime.

Josh Groban
November 15, 2010
N/A

No, I did not see Josh Groban perform live in the month of November, although I had some missed opportunities. I won't dwell on that, since I saw other wonderful performances in place of Josh. With his new album, Illuminations, a lot of promotions and pre-tour concerts have been going on, and I officially can't keep up with him like I used to. Anyway, when I'm not listening to Brooke Fraser's Flags, I'm listening to Illuminations. With the early listens of Illuminations, it took a while for a couple of the songs to grow on me, but I can honestly say, this is my favorite album that Josh has done. There's so much of his own artistic vision in this album that you can just hear and feel. And I love that his love songs are about the gray areas of love. I'm not going to single out any one song to discuss because then I'd feel bad for not blogging about the others. Just do yourself a favor and listen to Illuminations.

Brooke Fraser
November 19, 2010
Highline Ballroom

This was my first time seeing Brooke Fraser in concert. If you've read my "Play Me, I'm Yours" piano blogs, then you'll know the story behind getting into the music of this particular artist, so I won't re-tell it here. Janice was in town, and I got us both tickets back in the summer. I knew there would be table seating, but I wasn't interested in spending an additional 2-3 hours before the concert began just to get a good seat. Janice and I spent the day shopping, getting doughnuts at Doughnut Plant, eating dinner at Lan Cafe, and resting/snacking on said doughnuts at Chelsea Market. A little before 7:30, we made our way to Highline Ballroom, and the usher at the door said, "Standing room only." I was prepared for SRO, but we got there in time to secure the best standing viewpoint in the venue: dead center, right behind the very last row of tables. Perfect!

No offense to the opening act, Sam Bradley, but I really couldn't wait for Brooke to begin her show! Before it began, a woman made an announcement for no flash photography and no video recording. I knew other people in the audience were filming, so I decided to just enjoy the concert. Sometimes, when you hold up a camera, you lose your sense of actually being at the concert and focus more about camera work so you see the concert through a tiny little screen instead of being there in the moment of seeing the artist onstage. And by "you," I mean me. I was able to soak it all in.  Brooke and her band were phenomenal. While I didn't film the concert, I of course took some pictures!


Pretty sure this is "C.S. Lewis Song" by the placement of the capo and the fact that I made a point to take a picture at this particular moment, considering how much I love the song.
Brooke Fraser on her new keyboard, Angelo
I don't remember the exact set list, nor did I write it down, but Brooke performed all songs from her latest album, Flags, with the exception of "Who Are We Fooling?", "Jack Kerouac" and "Here's To You." She also performed four songs from her second album, Albertine: "Deciphering Me", "Shadowfeet", "C.S. Lewis Song" and the title track. And from her first album, What To Do With Daylight, she performed "Better" and "Arithmetic" (as the first encore).

A couple highlights for me were when she invited us to sing along to "Deciphering Me" and "Shadowfeet." What an honor. (As a concertgoer, I won't sing along unless we are specifically asked to. I find it rude when others sing when they aren't asked to, but I never have the guts to shush someone because they are probably having a good time singing along to their favorite artist.)

The final number (aka the second encore) was "Coachella."  Janice and I discussed beforehand that if Brooke didn't sing it, Janice would yell out the song title to request it. Alas, she didn't have to! And based on the little story before Brooke performed the song, I will now think of "Cold Shower" as the honorary title. (Oh no you didn't!)

"Coachella"
I hope Brooke Fraser returns often to NYC to perform. Don't think that I didn't look at her tour schedule to find out if I could see her in concert again elsewhere in the world. ;)

Anna Nalick
November 30, 2010
Rockwood Music Hall - Stage 2

Where do I even begin? Let's just say that it thrilled me to no end when Anna Nalick revived her Facebook and joined Twitter in August 2010 to let her fans know she was back. And when she released "The Lullaby Singer" on her website, it was all I would listen to while working because, well, the website looped the song. :) There's no other female American singer-songwriter of my generation who can craft amazing melody and creative, unique lyrics as well as Anna Nalick. It's a lofty statement, but hear me out.  Or, read me out.  She can turn something so personal into something identifiable for all her listeners. Her lyrics are never trite.  Her music got me through a transitional period in my life -- my post-college job search and my first post-college job commute. Her second album that never came out also had music -- one song, specifically -- that I needed a couple years ago. So her return this summer was most welcome.

Anna's free concert at Rockwood Music Hall was simply amazing. OK, it was just too short, but for an industry showcase, I'm so glad it was also done for the public -- her fans.

Set list:
Break Me Open
Words
Lullaby Singer
All Fall Down
Straitjacket
Shine
Breathe (2 AM)
Paper Bag

Just watch this heartbreakingly beautiful rendition of "All Fall Down" that I found on YouTube. As I said at the beginning of my blog, if I could re-live these concerts without YouTube, I would. But I can't help but be grateful for YouTube.


After the show, Alexa and I were able to talk to Anna outside Rockwood Music Hall. It was totally worth the wait -- big thanks to Alexa for convincing me to stay. While there were several fans and industry folks who wanted to talk to Anna, she made sure she talked to us as well, and I'm really thankful for that experience.

Friday, October 15, 2010

Flags by Brooke Fraser

What have I been listening to pretty much non-stop* since Tuesday? Brooke Fraser's new album, Flags.

So good, so good. I can't wait to see her in concert for the first time next month. Really loving the songs "Betty," "Orphans, Kingdoms," "Who Are We Fooling," "Coachella," and the title song "Flags," but the entire album is fantastic. I love new music.



*I've taken a few breaks to listen to Josh Groban's Portuguese song "Voce Existe Em Mim"... I wonder if I should learn Portuguese...

Wednesday, September 29, 2010

Brycen in Technicolor

I enjoyed a wonderful vacation in Texas with my family earlier this month. One of the highlights was meeting and spending time with my two-month-old nephew Brycen, who is super cute and let me sing to him while he napped in my arms. His parents rocked some Coldplay songs on SingStar (a karaoke game), so I thought it was fitting to use "Life in Technicolor" as the music for this video. Viva la vida, Baby Brycen!



Click here to view this video in HD on YouTube.

Tuesday, August 31, 2010

A blog quickie... a blickie

I may not come up with a thousand words for this picture, but two things:

1. I am out of practice with taking self-portraits on my digital camera. (Although I am fond of this shot anyway...)

2. I tried to take a picture across Harlem Meer at Dana Discovery Center in Central Park to show you where the "Play Me, I'm Yours" piano was located, but my head is blocking it.  Well done, Allison.  Well done.

Summer may be winding down, but I have to say the summer of 2010 was a swell one.  Will just have to continue trying new things in the fall.

Oh right, here's the location of the piano... to the right of the building:

Tuesday, August 17, 2010

Doughnut Plant

Jason e-mailed me a couple weeks ago asking if I'd tried the jelly doughnuts at Doughnut Plant.  I'd heard of the Doughnut Plant a few years ago on TV but never checked it out.  Well, in my summer of trying new things, I put Doughnut Plant on the list.  My craving for a good jelly doughnut won out last Saturday, so I took a trip on the F train to the Lower East Side and got me some doughnuts.

I did my research on the website and on Yelp.com, and people kept mentioning how good the tres leches and creme brulee doughnuts were.  When I got in line, a couple people behind me were talking about having "foodgasms" and coming back for more.  Were these doughnuts going to live up to the hype?  I sure hoped so.  It smelled really good in that little doughnut shop.

I ordered one tres leches, one creme brulee, and one peanut butter and jelly doughnut.  It set me back $7.75.  Hmmm.

I sat on a bench outside Seward Park and tried the tres leches, which is a cake doughnut.  One bite and I was sold.  Totally worth it.  Sweet but not too sweet.  Had a creamy texture inside.   My mouth is watering recalling that doughnut.  I understand the need to describe the experience as a "foodgasm" now.

I couldn't resist trying the creme brulee immediately after.  It's a smaller doughnut, but it packs a lot of punch. And just like the real dessert, it has a caramelized sugary top and custard on the inside.  Mmmm.  Something tells me Janice would like this doughnut.  :)

After eating those two doughnuts, I didn't want to risk sugar overload, so I sealed the PB&J in my paper bag and protected it for breakfast on Sunday morning.

Peanut Butter and Jelly Doughnut
As Jason said, there is jelly in every bite.  True fact:
If they had called this shop "Doughnut Planet," I would have believed them.  These doughnuts are out of this world.

Saturday, July 17, 2010

Had never given much thought about going to Costa Rica...

... until tonight. Watch this video. I've viewed it multiple times in a row. Can't get enough.



I think I've had a soft spot for sloths since I saw one at the Dallas World Aquarium!  Sadness... I just looked through my Pictures folder to upload a picture of the sloth that got my attention, but I've learned that it's among the digital pictures I've lost to my old laptop that met a black-screen death many months ago....

*gasp*  Wait!  Thank you, KodakGallery.com!


YAY! Okay, Costa Rica's going on my Life Goal List.

Thursday, July 15, 2010

Fun With Words

Facebook is not playing nice with me today. I just posted this picture as a wall posting, but it's not showing up (at least on my computer), so I'm going to blog about it. Anytime I need to post a blog link to Facebook, I get a security check. Usually, I don't think twice about the words, but once I saw this, I did a double take. Pilipino!

There have been a couple other occasions where I did double takes -- one time was on Telecharge.com. The word was "SYZYGY." Somebody was definitely a fan of The 25th Annual Putnam County Spelling Bee. But that makes total sense. Telecharge.com. Theatre tickets. It made for good chuckles from this musical theatre fan. :)

I may not be "corny as Kansas in August"...

... but I have found me a wonderful pie!

Blueberry pie from Whole Foods!


Delicious! The first time I had a slice of this heavenly pie was when Jason visited for Thanksgiving in '06. I hadn't seen it at Whole Foods since, but here's a nice mini pie! Just had a slice for breakfast, and it was every bit as good as I remembered it to be.

-Alli Forbush (corny as Kansas in July?)

P.S.  Even though I've referenced South Pacific, I have to credit re-watching the first season of "Pushing Daisies" for my current obsession with wanting to have some pie.  If you've seen the show, you know what I'm talkin' about.

Tuesday, July 13, 2010

Theatre Survey

Some stranger's blog came through on a Google Alert, and I decided to borrow this survey from them...

List the last 10 things you saw at the theatre in order:
1. Love, Loss, and What I Wore - July cast
2. Next Fall
3. The Winter's Tale
4. Love, Loss, and What I Wore - June cast
5. La Cage aux Folles
6. HAIR
7. Promises, Promises
8. Avenue Q
9. Everyday Rapture
10. White's Lies

Who was the best performer in number one?

The entire cast is a cohesive unit and has wonderful comic timing, but I must bow to Ashley Austin Morris and Myra Lucretia Taylor for cracking me up multiple times with their monologues.

Why did you go to see number two?
I promised my friend Robin that I'd see it.

Can you remember a line/lyric from number three that you liked?
That was my first exposure to The Winter's Tale, if you can believe it, so no, I can't, but I thought it was beautiful -- the ending was so satisfying. I'd see it again, but I need to see The Merchant of Venice first!

What would you give number four out of ten?

Ten out of ten! Fabulous cast! Fabulous show! I may be biased, but there you go! :)

Was there someone hot in number five?

LOL! Um... none was my type.

What was number six about?

Love!

Who was your favorite actor in number seven?
Katie Finneran, who stole the show.

What was your favorite bit in number eight?

All of it! I've seen it eight times, and it still cracks me up. There's always something new to laugh about.

Would you see number nine again?

Well, it closed on Sunday, so that wouldn't be possible... I've listened to "Up the Ladder to the Roof" 32 times on my iPod, so I wouldn't have minded seeing it again.

What was the worst thing about number ten?
I ended up giving my extra ticket away to a stranger, who turned out to be creepy.

Which was best?

The production of The Winter's Tale was free, Shakespeare, random, funny, and moving. Can't beat that.

Which was worst?
N/A. I love theatre.

Did any make you cry?
No... but I don't typically cry at the theatre, and most of these shows were comedies. I can distinctly recall the last time I bawled, and it was at RENT's closing on Broadway.

Did any make you laugh?

All of them did.

Which roles would you like to play in any of them?

I'd play Kate Monster/Lucy T. Slut if I had the right vocal chops, comic timing, and puppet skills.

Which one did you have best seats for?
Avenue Q: Front row orchestra
Next Fall: First row mezzanine

Monday, July 05, 2010

Play Me, I'm Yours... Day 15

Collective Strike Three
Went to South Street Seaport and Harlem Art Park, but both pianos were once again inaccessible. So though I didn't meet my play-all-pianos-in-Manhattan goal, I showed up multiple times.  Nobody can say I didn't try.

Reprise Piano 1: City Hall Park
From South Street Seaport, I walked up to City Hall Park. I'm quite the expert of walking that route now! A family speaking Italian was sitting on the benches near the piano. The mother encouraged her daughter to play. The familiar first notes of Fur Elise rang through the air but didn't make it much further, but that was typical of "Play Me, I'm Yours."  I think I only heard one player finish the entire piece.  Then a guy sat down to play one song. After he finished, I took my reprise turn at this piano -- one of my favorites. I made sure to play songs I hadn't played on this piano, so I performed "Nightminds" followed by "You're Still You" (music by Ennio Morricone for the film Malena, lyrics by Linda Thompson, recorded by Josh Groban), and finally "Scarlet."

Another shot of the colorful piano decorated by artist C.L DeMedeiros
Reprise Piano 2: Central Park - Dana Discovery Center
Made my way to Harlem Art Park via the 4 train and after I saw the park was locked again, I walked all the way down to 110th Street and Fifth Avenue to enter Central Park. When I arrived at the Dana Discovery Center's piano, two kids were playing it, so I sat on the cinder blocks behind the piano and waited for my turn. One knew how to play "Mary Had a Little Lamb." When they left the piano, I played "Where I Stood," "Remember When It Rained" and "Scarlet." The keyboard still plays so smoothly -- I was worried it might have been worse for wear, but for the most part it was fine.



When I finished, a man sitting at one of the benches asked if I could play something "more fun." I laughed and said that unfortunately I didn't have anything fun prepared. I've been meaning to write about this... The songs I play, whether they are showtunes or songs by my favorite solo artists, tend to be ballads and also tend to be a bit sad-sounding. If I could miraculously and marvelously play Maple Leaf Rag, I would, but it's not something I've learned to play. I do want to learn more pieces of music and memorize more songs if I can. Memorization does not come easily to me.

I decided to stick around and rest in Central Park. I struck up a conversation with a man named Tyrone about the pianos. He hadn't heard me play the other three songs. Eventually, the other man who had asked for something "more fun" wanted me to play another song. With their encouragement and when the piano was free again, I broke my "rule" of not playing the same song at the same piano twice and played "Arithmetic."  It was for a different audience, so that was my justification. Also, it's not quite a sad-sounding song! Tyrone was very complimentary when I finished and he asked if I had "one more," but I replied, "That's all I've got!" He asked why I wasn't taking a step further, meaning recording and playing professionally. I love doing this for fun. If I had a do-over with my response, I would have cited my favorite quote by an artist -- the only and only Sting: "Music is its own reward." Making it in the music business is HARD WORK plus talent plus luck.  Tyrone said that next time I should have "two more" -- meaning, an encore for the encore!

Reprise Piano 3: Bryant Park New York Public Library Terrace
I rode a bus down Fifth Avenue, and thankfully it was making limited stops, which made the ride go faster. Nobody was playing the piano by the lion statue when I arrived. The piano had been through the ringer. Every time I pressed the sustain pedal with my foot, the entire piano moved with it! Not good. The sounds produced were not as good as they were when I played before. I played "Where I Stood" first and when I was switching piano books, a young guy (late teens/early 20s, I'd say) showed up, and without saying a word, we exchanged knowing smiles about playing the piano. It was a fun nonverbal communication. He sat down on a nearby chair while I played "Remember When It Rained." Not my best performance of that song as a crucial key wasn't working, but he clapped when I finished. I got up to let him play -- by now, I know that if someone shows up like that, they're dying to play just as much as I am when I arrive at a piano. He played pieces from memory, including Maple Leaf Rag. I stayed for a couple pieces and then took off for Times Square.

Reprise Piano 4: Times Square - Broadway at 42nd Street
To my surprise, this piano was not that busy. I only had to wait for two players, and then I played "Where I Stood." It was difficult to hear the piano, so I left after that, and nobody immediately took my place. Did the novelty wear off? Was it a case of the Mondays? Not entirely sure. That was the piano that was supposed to have the live link-up with the piano at London's Millennium Bridge, but for whatever reason, plans fell through...

Reprise Piano 5: Times Square - Broadway between 45th and 46th Street
This piano, too, was not busy. I didn't have to wait. There were a few people sitting in chairs behind the piano, but they seemed to be resting and relaxing. I first played "Mi Mancherai" (music by Luis Bacalov for the film Il Postino, lyrics by Marco Marinangeli, recorded by Josh Groban). Next up was "Scarlet," and while I was playing, a tourist sat down in the chair next to me and asked if we could have our picture taken together while he pretended to play the piano. I said "Sure," so his friend took a picture. I wonder how it turned out... I looked over at the camera a little bit, but then I went back to concentrating on playing and singing. Last but not least, I saved the Broadway showtune for the finale. I hadn't played anything from Les Misérables during this entire project, and I figured this was the piano for it. The Imperial Theatre, where the original Broadway production made its second home (after moving from the Broadway Theatre to make room for Miss Saigon) is just down the block -- between Eighth Avenue and Broadway. I chose to play a song I've played for years. I remember wanting to use the instrumental for an English project in high school, but I couldn't convince my group members to use it. (If you're curious, we instead used a song recorded by Jessica Simpson.) So this has been brewing long before Susan Boyle brought it back to the public's attention, but I'm glad she did. I think I did as much justice as I could -- not 100% perfect as the E-flat key played only every other time I pressed it.

Sing for Hope Concert
The time was approaching 4 o'clock when I finished up at Times Square, so I walked up Eighth Avenue, made a stop at Central Park: Merchants' Gate (what was originally labeled Columbus Circle on the Street Pianos website) where I played my first piano. Not the most pleasant experience. The player was a bit defensive and mentally unstable. I walked by the piano (not close enough to indicate I wanted to play it), I just wanted to get a sense of what was going on, what was being played, and the man yelled at me when I walked by. I can't remember his exact words, but I got the message loud and clear:  Stay away -- the piano was his.  He and another woman had a shouting match with lots of profanity, and then I decided it was time to leave.  Oh, New York.  The interesting thing was that the man was playing interesting sounds. Not quite a song, not quite conventional chords, but he could rhythmically make "music" on the piano.

I walked up to Lincoln Center despite the heat of the day. I felt all right, if you can believe it. I listened to a man wearing a giant sun hat play the piano at Columbus Avenue and 62nd Street. Then I walked through Damrosch Park and noticed the piano was gone but knew that there was going to be the free Sing for Hope concert from 4 to 6 pm. They moved that piano to the area between Avery Fisher Hall, the water/sculpture, the Met, and the Vivian Beaumont Theater. The concert was an eclectic mix of opera singers, original singer-songwriters, Broadway veterans, a cabaret singer, a guitarist, dancers, a YouTube sensation, and of course, pianists. I'm glad I attended the concert. One of the co-founders said an estimated one million New Yorkers played the pianos. I wonder how they came up with that figure. I'd read in an article earlier on in the project that the estimate was 60,000.

Broadway vets Ali Ewoldt and Ryan Silverman sing "Tonight" from West Side Story.
Last Try for #40 aka I Know That Strike 4 Doesn't Exist in Baseball, But...
When the concert ended, I knew I wasn't done with "Play Me, I'm Yours."  I caved in and hailed a taxi to take me to South Street Seaport. Can you blame me? Alas, the piano was still covered in plastic. No more pictures this time. I stayed for a little bit in the mall to cool down and have dinner. It turns out there was free WiFi in the food court, so I tried looking up the location of McCarren Park in Brooklyn. I remember my cousin Alexa saying that she was going to try and play there. Well, the Google maps portion of the website was not cooperating completely on my iPod touch... every time I tried to zoom in, it took me to Westchester. Frustrated, I just decided to leave South Street Seaport, and I texted Alexa to see if she could help me out with the location while I made my way up to Union Square (also by taxi, I was getting desperate, but man it was pretty nice to take one. If only it were "Cash Cab"). In our exchange, we were about to make plans to go there together, but Alexa alerted me that the L train wasn't in service and that the alternative was to take the E train to Queens and transfer to the G train to get to Brooklyn. *bleepity bleep bleep* Insert expletives here. As much as I wanted to play #40, I couldn't see myself doing all that traveling. So instead I took the A train to Columbus Circle. Had one last listen at the piano at Merchants' Gate. Another man was playing, and then he let a woman play after him. Both seemed to want to stay at the piano, and I had a feeling that my full-circle moment near Columbus Circle was not meant to be, so I took this picture and then moved on...

I walked back up to Lincoln Center. A man was playing at Columbus and 62nd, so I kept walking and could hear the relocated Damrosch Park piano from the main plaza. Couldn't the piano have been there all along? Seriously! It sounded beautiful. A man was playing jazz when I arrived, and when he got up, another man took his place. They both were really good, so I decided I wouldn't play but just listen. Here's a view of the piano from the grassy area that opened earlier this year.

The building on the right (and in the water's reflection) is the Metropolitan Opera.
Reprise Piano 6: Lincoln Center - Avery Fisher Hall
I walked to the piano near Avery Fisher Hall. A woman was playing the piano, but there were only a couple people sitting on the steps. When she finished, we clapped for her, and then I took to the piano to play what would be my final song of "Play Me, I'm Yours." I chose "Mi Mancherai," and once I started I thought to myself, "What have I done?" This is a song that I need to look at the keys for because they are several key changes throughout, and this piano has keys painted all different colors. I was especially confused with the all brown ones! Luckily, I started off with a slow tempo, and of course, I wasn't singing. A young person asked if I would grant permission to have my picture taken, and I said, "Go for it!" Another person, I noticed was taking pictures -- at least, I hope it was pictures and not video, haha. I was most concerned about getting my favorite part just right. I wasn't 100% "in the groove," but it was fine. I may have cheated a bit on a measure or two and just played the melody in the right hand instead of the full chords.  *grin*  I just didn't want to do a face plant on my last song!  I finished strong and was met with a round of applause. When I turned around, several more people had stopped to listen. So nice!

I got up to let someone else play and sat on the steps to listen. After her, a man ran to the piano and played a fantastic Broadway medley that started off with West Side Story! Then he ran off! I wished that he could've stayed.

After that, I moved to my final piano of the evening at Alice Tully Hall and enjoyed all the performances. These random strangers had met each other then and there, only to start singing with each other! And the main pianist was a terrific player who could transpose keys. Seriously amazing. They sang a lot of showtunes, including "I Could Have Danced All Night," "Everything's Coming Up Roses," "Oklahoma," "The Best of Times," "Tonight," "What I Did For Love," "On the Street Where You Live," "Honey Bun," "On This Night of a Thousand Stars," and much, much more. My favorite number was when two strangers performed "Guys and Dolls." They both knew the song, yet they both didn't know the song, so after each chorus, they'd run back to the piano to look at the lyrics for the next verse, and they even threw in a bit of choreography for the big finish. My second favorite number was performed by a woman, who had been dancing with her significant other.  She requested to sing "Cabaret" with the seriously talented accompanist, and she belted like there was no tomorrow! AMAZING! Hidden talent is everywhere in New York City! A lot of people sat or stood to listen, and an elderly couple was even collecting signatures for a petition to keep the pianos at Lincoln Center. 10 pm came and went, and the piano performances didn't end. Unfortunately, I couldn't stay until the very end. Had to return home because I had to work the following day, so I left just past 11 o'clock. I don't think I would have wanted to be around for the final lock-up anyway. I walked passed Avery Fisher Hall to see blue tarp -- the piano looked ready for the big move to its next life. Same with the piano at Columbus and 62nd Street. The piano at Merchants' Gate wasn't covered. In fact, it may not even have been locked yet, but it seemed kind of sketchy to check at that time of night, so I gave one final glance at the piano and headed home.

Final Goal Report
1) Played 32 of the 34 Manhattan pianos*.
2) Play at least one piano in each borough (COMPLETE).

*According to the Street Pianos website, the piano in Madison Square Park was removed in the first week due to damage. From reports by a street musician and also by a blog, there was also a piano at Washington Square Park that was removed. There is nothing on the Street Pianos website to confirm or deny that this was the 36th piano, but at least I have a little corroboration.

Total Unique Pianos Played By Borough:
The Bronx: 1 piano
Brooklyn: 3 pianos
Manhattan: 32 pianos
Queens: 2 pianos
Staten Island: 1 piano

Total Pianos Played (Including Reprise Pianos): 45

Acknowledgments
To Mom, Dad, Jason, and Janice who supported my piano lessons when I was younger, put up with my practicing, listened, and played with me...

To Mrs. Botkin, my wonderful and patient piano teacher of many years...

To Katherine, who told me about these pianos last year and introduced me to the music of Missy Higgins and Brooke Fraser...

To Jessica, who told me about the NYC pianos this year and sang with me...

To Meghan and Kerri, who came to see me play...

To Luke Jerram and Sing for Hope...

To all the strangers who listened and talked to me about this project...

To you, dear reader, for taking the time to read, skim, and/or look at the pictures/video...

THANK YOU!

Special shout-out to my sneakers and unlimited Metrocard (which expired exactly on July 5th) for getting me where I needed to go.

Sunday, July 04, 2010

Play Me, I'm Yours... Day 14

Covered a lot of distance today! While I can't tell you how many miles I traveled by subway and ferry, I can tell you I stepped foot in 4 different boroughs today and walked 20,000+ steps according to my pedometer.

Piano 33: Staten Island Ferry Terminal
Got an early start and took the 1 train down to South Ferry. I remember when you had to make sure you were in the first five cars of the train to get off there. That has changed now. It was close to 9 am, so I thought I was going to miss the Staten Island Ferry which runs every half hour, but it turns out I was right on time! The ferry ride provided a cool-down -- I had goosebumps, even, from the breeze. As we approached Staten Island, I looked for the piano but couldn't find it. I knew there had to be a view of the Statue of Liberty because one video I saw posted on the Street Pianos website ended with a close-up of Lady Liberty. I barely exited the terminal building when I saw the piano. Someone was sitting at it but only to tie his shoe. When he got up, I sat down and chromatically tested the keys. Several weren't working. What a shame.

Because several adjacent keys were unplayable, that limited my song choices and affected what I did play. First up was "Arithmetic." A female Department of Transportation worker was taking a cigarette break to my left. I could see her in my peripheral vision. To my right, a homeless man was sleeping in a bench. People were walking behind me to enter the ferry terminal. After I finished playing, the DOT worker came up to me and said this was the first time she'd heard somebody play the piano as she usually takes breaks at a different part of the terminal. She said she was glad that I was livening up the place and suggested that I come back to play some more and put out a container for money. I told her that it was a public art project, so I wasn't interested in money. She asked if I knew the theme song from Titanic, and I said that I used to know how to play "My Heart Will Go On," but I didn't have it memorized. I played "Nightminds" second but had some trouble keeping the sheet music in place. The wind knocked over another book that was supposed to be holding down the music! For my third song, I played Josh Groban's "You're Still You" and rested the piano book on my lap so it wouldn't blow away. Two male workers stood for a break, but they were talking loudly to each other about work. It was slightly distracting because I could really hear what they were saying, but they stayed put to chat and I stayed put to play. The fourth and final song I played on Staten Island was "The Special Two."

Requisite passing ferry shot
Requisite Statue of Liberty shot
Piano 34: Battery Park
I spent 50 minutes riding the ferry from Manhattan to Staten Island and back. Fifty minutes for half an hour on Staten Island, but it was worth it! I walked to Battery Park from South Ferry and knew that the piano was somewhere near Castle Clinton, where you can buy tickets to see the Statue of Liberty and Ellis Island. Sure enough, I found the piano on a path lined with benches and sat down to play "Arithmetic." To my right, a couple of men were talking to each other, and to my left, some people sat down. When I finished the song, a woman standing behind me clapped and said, "Yay!" and a man started humming some of the last instrumental strains of the song. Very cool! I played "Nightminds" as my second and final song. The pedal wasn't working as the piano was too low to the ground. There was no room to properly step on the pedal.

Battery Park -- one of the bigger pianos of the project
Piano 35: Stone Street
After a few map checks along the way, I found my way to a street aptly named Stone Street. The piano was sitting in the relentless, hot sun. The keys were hot to the touch. It was like having to grab hold of a steering wheel after your car's been parked in a lot with no shade. Thus, I only stayed for one song -- you guessed it: "Arithmetic"! Surprisingly, a B key on the piano wasn't working, but I played anyway.

Hot, hot, hot!  I took this picture while crouching in the shade.  Interesting top of the piano.  Is the extra part for displaying more knick-knacks?  I can't figure it out...
Strike One
Walked to South Street Seaport and had some trouble spotting the piano -- there were a lot of people around for the holiday, and there was also a travel & tourism exhibit promoting the great state of Texas (holla, Cabellon family of Round Rock!). I knew the piano had to be by the ships, but I wasn't entirely sure of the angle. I spotted the piano, and a woman in a dress was sitting down at it... but then, when I got closer I noticed she was only fake playing the piano because it was locked! She and two guys looked like they were going to do some video filming, but they were out of luck too.

Potential piano player on the right waiting for the piano buddy who would not come to save the day...
Strike Two
I headed up to Harlem Art Park for the second day in a row, but unfortunately, the park was closed. The gate was locked, and it must have been due to the holiday... I couldn't bring myself to take a picture. As this was only one of two remaining Manhattan pianos that I needed to play to complete my goal, I was downtrodden. I was worried about a strike three for the day. It would have been the right balance, I guess. Three pianos played, three pianos not. I decided to take my chances...

Piano 36: Joyce Kilmer Park
I took the 4 train north to the Bronx. A lot of people on the train were going to the Yankees game, and we all got off at the same stop. Having studied the Google map online for this particular piano, I knew that Joyce Kilmer Park was two blocks east of Yankee Stadium. I also knew that it was in a residential area, so the piano would only be available until 4 pm. When I arrived at the piano, a woman was standing at it and testing the keys. She sat down to play while her daughter ran around the park. She even pulled out some sheet music, and I offered to hold it for her, but she said she was OK. She played a beautiful piece from memory. We got to talking, and she said she lives in Washington Heights and had been traveling around with her daughter to play the pianos. She went to the Coney Island piano and talked about terrible state of the piano but that the gorgeous view made up for it, and she felt like her performance was being carried across the ocean to other countries. I enjoyed talking to her and expressed my wish for the pianos to return next year. She had her doubts about that. Or, at least thought that it would be a smaller project with fewer pianos. She did say that this project has been wonderful in getting New Yorkers to strike up conversations and in learning about strangers who are musicians. She said that the best pianists could be workers who need to work a 9-to-5 job to pay the rent. Too true. I took pictures for her, and then she let me have a go at the piano.

I started "Arithmetic" and a few young girls came over to listen to me play and sing, so I sang to them. When I finished, I asked two young ones if they knew "Mary Had a Little Lamb." The older one shook her head for the both of them. I then asked if they knew their "ABC's" and the older one nodded. The younger one didn't say anything when I asked her, so the older one said that she didn't know them yet. I invited the older one to sing with me, but both girls ended up just listening to me. :) The younger one (pictured below in the pink bathing suit) looked like she wanted to play the piano, but she was too short to reach the keys while standing, so I lifted her onto the piano bench, so she could try it out.

When she finished, I sat back down and played "Nightminds" for everyone, including an adult couple (the parents of one of the children, I presume) sitting on a bench. They asked me about the project, so I told them about it. A couple of older girls stood by the piano, and I asked them if they knew how to play. They said, "No, but we want to hear you play." So I obliged and pulled out the sheet music for "Grow Old With Me" and anchored it with piano books, but it was too breezy, so one girl helped me by holding down the music. So sweet of her to do so! I thanked her and then went on my way. The man asked if I was going to play more pianos, and I said I didn't think so because it was so hot!

I ended up going home around 3 in the afternoon. Took a shower, rested, turned on the computer, downloaded my pictures from my camera, opened up a new blog post -- this blog post -- and realized, "I'm not done playing pianos for the day." I made up my mind to hit up some pianos in Brooklyn and printed out a Google map to be safe. I replenished the supplies in my backpack and headed out the door at about 6 o'clock...

Piano 37: Willoughby Plaza
Took the A train all the way to Jay Street/Borough Hall and found Willoughby Plaza. If I were in "The Amazing Race," I'd want my race partner to be the expert map reader because I got a little disoriented in Brooklyn. No matter, I eventually found my way and sat down at the piano. A family was enjoying some fried chicken while I played. They didn't pay attention to me, but I played for the walking passersby. In fact, while I was playing "Arithmetic," I looked up several times, and while nobody truly stopped, some people smiled at me while they walked by. (In writing this and reflecting on my experience, I hope I smiled back at them. I really have to concentrate when I play from memory, and I sure hope they got that I was appreciative of their smiles even though I have no idea what kind of expression my face was making!)

Next, I played "Remember When It Rained." The song calls for varying dynamics, including forte for the big finale, but try as I might to produce loud sounds, the piano would only offer, well piano (that is, a soft volume).  I kept that in mind for my final two songs and ended up playing "Scarlet" and "Nightminds."

I did try to take a couple self-portrait pics of me with the piano, but neither was very flattering, so here's a solo shot of the piano!  Love the colors!
Piano 38: Columbus Park
The piano at Columbus Park (right in front of Borough Hall) was relatively close to Willoughby Plaza! When I spotted the piano, somebody had just walked away, but then a group of three people made it to the piano before I did. I stopped to look around while a woman played "Heart & Soul." Surprisingly, that was the first time I'd heard it played over the past two weeks! The three of them didn't stay very long, so I took my place at -- get this -- an upright cinder block. That's right. There was no bench, so someone had used one of the cinder blocks (there to keep the piano from being stolen) as a bench. I adjusted my "block" and sat down to play "Arithmetic." Almost immediately, a father laughed with joy as his young son, a toddler wearing an Elmo shirt (literally, the face of Elmo on a red shirt) and shorts began to dance with enthusiasm. I so wish this were capture on film or even as a photo, but being that I was the piano player and singer, I had no available hands to stop and capture it. I turned my head to watch the boy dance, and I could see people sitting on the steps enjoying all the entertainment.

For my next song, I chose "The Special Two." Not exactly dance music, so I think the father and son went on their way before I finished playing. But before I started, a group of people stopped, and I heard a man with an Australian accent say, "Missy Higgins! She's from Australia!" And I said, "Yes, she is!" His companions didn't look as thrilled as I did, so I turned back to the piano and began to play. (They didn't stay very long either, haha.)

For my third song, I decided to pull out RENT and played "Your Eyes."  The open area of the park allowed the piano's sound to carry, so I really gave it my all at the end. Immediately after I finished, a woman called out, "One more!" She wanted to hear me play another, and it turns out she's Filipina. She had asked if I was Chinese, but I told her, of course, who I am.  It turns out, her daughter, who is a nurse in the Philippines, is also a piano teacher. I was going to play another song for her, but then a man politely asked if I would let his female friend play -- they were documenting her playing each of the 10 pianos in Brooklyn. I happily let them. The woman placed her sheet music for Bach's Prelude in C Major -- a beautiful piece I learned to play once upon a time -- and began to play. I knew it was breezy, so I held down the music while she played and was pleased with myself that I was able to follow along and move my hands out of the way for each particular page she needed to play. I'll have to take a look at the Street Pianos website to see if I'm in any of the pictures or if I see the woman in any of the Brooklyn pictures.  She thanked me for holding down the music, and then they were on their way to the next piano.

The woman who made the request for one more song had to be on her way, so she didn't get to hear me play "Nightminds." After that, I stood up and placed my backpack on the cinder-bench to pack up my music. A woman and her daughter who had been sitting on the steps of Borough Hall stopped by and asked if I was done playing. I said yes, and the woman said her daughter was a big RENT fan and was singing along. If only I heard her! The daughter had a wide grin on her face, and I told them both that I was so happy they recognized the song and were the first to say something about it. What a thrill!

I wonder if the original bench was decorated...
All right, a bit of decoration.  But an even cooler backdrop.
Piano 39: Brooklyn Bridge Park
A lot of people were walking west, so I joined in with them. I wasn't sure exactly where I was, although the area was slightly familiar as I've seen my friend Meghan play in the Brooklyn Symphony Orchestra at St. Ann's Church. Eventually I ended up at Brooklyn Heights Promenade. A lot of people were sitting down. I think they might have been waiting for the fireworks in an hour's time, but I overheard a guard tell someone that you couldn't see the fireworks from the promenade. I was glad that wasn't my final destination. I walked north to Brooklyn Bridge Park and made my way to the piano, which I knew had a spectacular view of the bridge, Manhattan, and the Statue of Liberty. A teenage boy was soulfully playing on the piano. He could be the next Eric Hutchinson or James Morrison. He played a little Michael Jackson for the growing crowd.

He let a man play a piece and then sat back down to play some more. I inched closer to the piano so that 1) I could hear better and 2) that I could hint that I wanted to play too. Then, all of a sudden, I see a man with a professional camera filming and decided I could wait. I didn't want to be filmed on this occasion. Well, it turns out these people were speaking in French, and a woman wearing eyeglasses asked me if I was waiting to play. I told her yes, and she asked if I wouldn't mind letting them do a two-and-a-half minute performance so they could capture the light of the setting sun. Sure, why not? The performer, it turns out, didn't know how to play the song on the piano. She was just lip-synching words to a song, and they were using the pianos & locations as props & backgrounds for their music video. The woman wearing eyeglasses would give directions to the performer in French. It was kind of cool to see it all, but at the same time, it was a little bizarre. I'd be curious to see the final, edited video but most likely never will see it...

After they finished filming, I sat down to play "Arithmetic." The soulful teen stood at the piano tapped out a quiet beat on the piano while I played. A woman sitting on the bench asked me to play another song when I finished, and another woman standing behind me asked if she could play. I got up to let her play and while I waited my turn, a guy asked if I was from Seattle. I thought to myself, "Hey wait, how does he know that? Oh right, I'm wearing a University of Washington T-shirt." I said yes but that I now live in New York, and we high-fived each other because he and the woman he was with was also from Seattle and he was now calling New York his home too. He said I did a good job representing Seattle.

For my second song, I played "Nightminds" and the soulful teen helped me out by holding down the sheet music. I knew I was in my groove for the ending and nailed it. Phew! After a little applause, I told the soulful teen that I wanted to hear him play again. He played some Coldplay and then got requests for Justin Bieber (haha).

He asked if I wanted to play again, and I declined. "You sure?" he asked. "Yeah, I'm sure," I replied with a smile.  I didn't mean to disappoint in the sense of capping my set to two songs, but I also didn't want to disappoint by playing a song I could potentially mess up! The day was succumbing to darkness, and if you've been reading all these blog entries, you know how much I rely on sheet music! As I walked away, I smiled to myself and thought of the line from the musical Gypsy -- in a non-stripping sense, mind you -- "Make them beg for more... and then don't give it to them!" It was good to end on a figurative high note and let others play on into the night.

Slightly blurry, but here's the Brooklyn Bridge with the patriotic Empire State Building
It was almost time for the fireworks when I decided to buy an ice cream from Brooklyn Ice Cream Factory. I could not help myself. I was hungry. I probably should have tried the organic veggie quesadilla instead for something more substantial, but my sweet tooth had another plan for me. I enjoyed my peaches 'n' cream in a waffle cone as I saw some of the fireworks on the opposite side of Manhattan. If the crowd at Brooklyn Bridge Park was big, I can only imagine the crowds along the West Side Highway. The A train was, indeed, packed on the way home. Luckily I had a seat, since I came from Brooklyn.

Update on my final goals:
1) Play all remaining pianos in Manhattan (2 more to go) and
2) Play at least one piano in each borough (COMPLETE).

Total Pianos Played By Borough:
The Bronx: 1 piano
Brooklyn: 3 pianos
Manhattan: 32 pianos
Queens: 2 pianos
Staten Island: 1 piano

Saturday, July 03, 2010

Play Me, I'm Yours... Day 13

I set out today with the goal of playing 6 or 7 pianos, and while I fell short of my goal, it was beyond my control... Nevertheless, it was a great day for piano playing.

Still feeling tired and not fully awake, I purchased an iced coffee from Dunkin' Donuts. If I go for the iced coffee, you know I need it. (And also, I really didn't feel like having a hot tea this morning.)

Just as I did for Day 12, I planned out my route -- lots of traveling and a little backtracking, but it all made sense to me.

Pianos 28 and 29: TriBeCa Park - red piano and brown piano
I took the A train to Canal Street and walked to TriBeCa Park. Had never been there before. When I saw SoHo Pharmacy, I got excited because it was my landmark point of reference from pictures posted on the Street Pianos website. I spotted the pianos from across the street because one was a taller upright. Nobody was playing them, but I walked quickly anyway and sat down at the red upright. I started off with "Arithmetic." Second, I played "Where I Stood." I could tell people were walking behind me, and I overheard someone say "She plays very well." Other people were sitting (and one person was sleeping) on the park benches. After I finished, I ran over to the brown piano to make sure I played it. It was a smaller piano, and the pedal didn't work. I played "Nightminds" on it and then ran back over to the red piano, which sounded much better, and finished my set with "Scarlet." After that, I stood up to take a picture then moved on.

The brown and the red and SoHo Pharmacy in the background
Piano 30: City Hall Park
I walked up to Canal Street and took the R train to City Hall. The photos on Street Pianos website were somewhat helpful in my search for the piano. There was no wide-angle shot, but I at least knew it was by a building. I also couldn't take any aural cues, as nobody was playing. But the piano came into view, and I saw a woman standing at the piano. She walked away just before I approached, and I sat down to play "Arithmetic." I felt a small crowd gather, and when I finished the song, a Filipina woman called out her son's name. I asked her if I could just take a quick picture of the piano, but then she offered to take my picture, so I gave her my camera and played "Where I Stood." When I began to play, a breeze picked up, so I had to stop and pull out more books to hold down the music.

Displeased with myself, I started over and felt much better about my performance. When I finished, a woman behind me clapped loudly and I turned around and said, "Thanks!" I got up and also thanked the Filipina mother who took my picture. She called her son's name again, and he sat down to play a piece I didn't recognize, but it was very beautiful. After he finished playing, I walked a short distance to the 6 train and took it uptown...

Piano 31: Astor Place
The subway exit at Astor Place was exactly where I needed to be to play the piano. A man was playing the piano when I got there, and he was playing the upper half of the piano mostly, and it was badly in need of tuning. Badly. He said he had a tuning wrench in his car, but the piano was locked anyway. A younger guy sat down to play, and a man was going to take his picture, but the guy said, "No pictures." That was the first time I heard somebody say that. Kind of interesting, being that it's public area as well as a public art installation, but the man obliged and didn't take any photos. I asked the would-be photographer if he played the piano, and he said yes. The younger guy didn't play very long at all. Even though I was there before the younger guy and the would-be photographer, I let the would-be photographer go before me because I was waiting to see if Jessica might join me at Astor Place. The would-be photographer told me that he runs a website for street musicians in New York and asked if I would film some video footage for him. I happily obliged. He started to play, and I felt dumb because I saw the red light but only a black screen, and it took some exploration until I realized the cap was still on. Whoops. But the piece was several minutes, so I got lots of footage and moved around to capture a sense of the location, and I also did close-ups of the piano-playing. I hope I did a good job, but I did admit to him that the cap was on the camera for the first bit. He gave me his business card, so I'll have to check out the website and see if the video is posted there. Although he had to meet a friend, he asked if I wanted to be filmed. I said no (since I was going to play "Arithmetic" again), but I asked if he would take my picture, and he obliged. He took shots with my camera as well as his and then took off to meet his friend.

After "Arithmetic," I decided I would attempt "Shadowfeet" for more people than when I played it at Gansevoort Plaza. I had two other piano books holding down the sheet music for the song. I saw a man standing and possibly listening in my peripheral vision. While I was playing the song, a girl asked, "Can you play 'Special Two'?" My ears perked up, and I immediately stopped playing and said, "Yes!" I turned around, and it was a girl most likely in her early teens. She was with a group of friends, and the guys asked if they could play, so I let them. The girl told me that she danced to "Special Two" in a recital, so when the guys finished (it was only about a minute of testing the piano), I sat back down, invited her to sing along (she didn't want to), and started to play. She toyed with the idea of dancing, and once I got to the bridge, I could hear her sing very softly with me. So cool. During the song, one of they guys asked if I owned the piano, and I smiled and said no. I told the girl that she was the only person I'd encountered who actually knew Missy Higgins, and she said she loved her songs. She and her friends took off after the song, and I figured that I couldn't top that. Finally, a request I could and actually did fulfill! I listened briefly to the player who followed me and then walked south to the F train at Broadway-Lafayette so I could get to my next destination.

Piano 32: Seward Park
Based on the pictures I saw on Street Pianos website, I thought the piano at Seward Park was outside, as in on a sidewalk. So when I saw the piano was inside the park, I immediately wondered where the entrance to the park was because the gates I saw were all locked. And I knew the park was open because I could see children playing and people sitting on benches. So I retraced my steps and found an entrance at the south end of the park and walked back to the piano. When I got there, there were flies sitting on the keys, which was gross. The odd thing was that the keys weren't sticky or anything. I waved away the flies and proceeded to play "Arithmetic." The piano worked well for that song, but on the next song, "There's a Fine, Fine Line" from Avenue Q, I discovered several keys weren't working even though I could press down on them. Despite the key situation, I felt I redeemed myself. I decided to both play and sing the song, and to my surprise, it helped me to do that. A few people walking along the outside of the park stopped to listen while I played, and that was nice. A man sitting on the bench reading the newspaper moved to a bench closer to the piano. Also nice. Next up, I was going to play another Josh Groban song, but there were too many nonworking keys that the song required, so I had to abandon the idea of playing that song. Instead I played "Your Eyes" from RENT. I finished up with "Where I Stood" and then took this picture of myself.

Not my favorite decorated piano, but it did have character. Also, a major plus for being in the shade -- you can tell because I'm wearing my regular glasses and not sunglasses.
The Search for More Pianos
I took the F train back to Broadway-Lafayette and then walked on street level to "transfer" to the uptown 6 train at Bleecker Street and eventually made my way up to Madison Square Park where I met up with Jessica and her dog, Missy. We strolled through the park to search for the piano. I had read that the piano was removed due to damage, but you never know... it could have been restored or replaced. Well, it wasn't. It was lovely walking and talking in the park, and Jessica informed me of the naked men statues in and near the park as well as the other statues placed on rooftops. These pictures don't really do justice, but here are a couple:

You can't really see the figures on top of the Flatiron Building in this picture, but they're there.
Said goodbye to Jessica and Missy to make my way north to Harlem Art Park on the 6 train (which was my subway line of choice today, apparently!). I'd read stories of the piano and/or park being locked, and you can add my story to the mix. The park was open, and I was really excited that I was going to have the piano all to myself, but when I reached it, I saw the piano cover. Locked out. Major bummer. I took pictures -- it's a wonderfully decorated piano.

Now that I know where it is and also knowing that it's one of the few remaining, still-existing pianos in Manhattan that I haven't played yet, I have no choice but to return. Time is running out though!

Two days to go. Forecast is in the 90s for Sunday and Monday. Oy. Will try to make the best of it, but I'll just have to factor in the need to take it easy and the need for more sunscreen. If you can believe it, I haven't been burned. Pretty proud of that.

My final goals are to:
1) Play all remaining pianos in Manhattan (4 more that I haven't played) and
2) Play at least one piano in each borough (2 down, 3 to go).

Total Pianos Played By Borough:
Manhattan: 30 pianos
Queens: 2 pianos

Friday, July 02, 2010

Play Me, I'm Yours... Day 12

Lots of pianos to discuss, so I'm going to jump right in...

Piano 21: Riverbank State Park - blue piano
Was able to take the day off work, so I planned out my piano journey. I decided to return to Riverbank State Park because I knew exactly where the unplayed piano was. When I arrived, a young girl was playing the piano. When she finished, I sat down and played "Nightminds" and then "Remember When It Rained," my first Josh Groban song for this art project. Toward the end of RWIR, two children -- one girl and one boy -- came up and listened to me play. The sheet music started to waver from the breeze, and all of a sudden an older woman (their grandmother, I presume) stepped behind the piano and held the music for me. I looked up at her and smiled. After I finished playing, we discussed the pianos a little bit. I asked her if she played.  She answered that she took lessons over 50 years ago and joked that she couldn't even play scales now. I played one more song, "Arithmetic," and since it was still the morning, my voice hadn't fully warmed up yet, so I sang a softer version of the song -- closer to the way it was originally recorded by Brooke Fraser, actually. It was nice to give the song a more intimate feel, what with my audience of three standing right by the piano.

The girl who listened to me play Josh Groban and Brooke Fraser sat down to play after I finished.
Piano 22: Central Park: Dana Discovery Center
Got back on the 1 train, and it turned out it was going express to 96th Street, which worked to my advantage. At 96th, I transferred to the uptown 3 train and got off at 110th. Based on the Google map posted the Street Pianos website, I walked west after entering Central Park. I searched and searched for the piano. Based on pictures, I knew it was by the water, so then I started to circle Harlem Meer. It wasn't until I was halfway around the body of water that I heard the piano and spotted it across the way! It was to the east, not the west. I kept walking around Harlem Meer, but wow, it took much longer than I expected. If only the Google map were accurate in the first place...

I may have taken the long way 'round, but at least the view was gorgeous!
When I arrived at the piano, a girl was playing it, and then a mother encouraged her young son to play. He didn't really know how to play, but he was having fun pressing the keys. Then another mother encouraged her son to play, and he knew a short and sweet piece. Very cute. The girl was going to return to the piano, but I asked if I could squeeze in two songs, and she graciously let me do so. I played "Special Two" by Missy Higgins, and after I finished, a man said it was "very nice." For my second song, I played "Arithmetic." I kept my word and got up. Here's a parting shot of the piano, which sounded wonderful, and the actual keys were so smooth to play. (Same with the Riverbank State blue piano -- they were lovely-to-the-touch keys, and I'm not talking about the feel of the keys but the actual playing/pressing of the keys!

Piano 23: Metropolitan Museum (Central Park: Cleopatra's Needle)
After eating my first-ever potato knish for lunch in Central Park, I took a bus down Fifth Avenue to the Met. Luckily, I had done my research on the Street Pianos website and learned that the piano at the Met was actually behind the museum and inside Central Park at a place called Cleopatra's Needle. I'd never heard of this place in Central Park, but it's an Egyptian obelisk. Very cool.

I let the sounds of the piano being played guide me and found my way. It was HOT and sunny, so I stood in the shade of the obelisk while the man before me played. He played a wide variety of songs, including "Maple Leaf Rag" (quite a popular tune for this art project), a fun ditty I didn't recognize, and Lady Gaga's "Bad Romance." He invited everyone to sing along, but I just listened.

I played "Arithmetic" from memory. One woman came up to the piano for my second and final song "Nightminds." After I finished, she said she didn't know the song, so I told her that it was written by Missy Higgins, a singer-songwriter from Australia. She said that my performance was a "spot-on interpretation and genuine." I was -- and still am -- so humbled by her kind words. I stayed to listen to the woman play a little bit, but it really was hot, so I moved on.

Piano 24: Central Park: Bandshell
Took another bus down Fifth Avenue for about 10 blocks and entered Central Park again at 72nd Street for my final Central Park piano at the Bandshell. It's funny, I wasn't quite sure where it was, but then when I looked at a map in the park, I saw that it was just south of Bethesda Fountain, which I've been to several times! I never knew they were so close to each other. I remember the Bandshell from walking in the Susan G. Komen Race for the Cure last September. Unfortunately, someone stole the bench at this piano. Terrible!

Love the decoration of this piano.
After a couple men experimented with the piano, it was my turn to play. I played "Arithmetic" first, and a guy asked me about the song, so I told him about it. I asked if he played the piano; he said no but that he played the guitar. Next, I played "Grow Old With Me." It was during this song that I discovered one of the E keys wasn't working. Oh well. The guy who asked me about "Arithmetic" asked if I knew any Beethoven. Sadly, I could not honor his request. My third song was "Special Two," and my final song was "Nightminds." While I was playing "Nightminds," a woman came up behind me and started clapping and said, "I've been looking for you!" After I finished, I spoke with her. We didn't know each other, but she was just implying that she'd been wanting to see someone perform on the piano. Her name's Beverly, and she's retired now, but she said she used to work in the costume department under Joseph Papp for the Public Theater, including Shakespeare in the Park. Very cool. We both lamented on the lack of a bench. It was difficult to play standing up. I had to shift my weight to my left leg, so that I could use the pedal with my right, and it got tiring. Beverly didn't play, but we stayed to listen to a pair of men play two duets incredibly well -- professionally well. They came prepared with sheet music, and I even held down the music and turned pages for their second piece. What an honor.

Piano 25: Little Red Square at Bleecker Street and Sixth Avenue
After resting a bit in Central Park, I almost felt like calling it quits for the day, but another part of me felt the need to continue, so I took the local C train from 72nd and Central Park West all the way down to West 4th. And yes, I napped on the train. I found the piano at Little Red Square (never knew it was called that until this project), and there were some women sitting right by it. They didn't move when I played, but they didn't exactly look like they were paying attention either. I played "Arithmetic" followed by a decent attempt at "Anthem" from the musical Chess. It was slightly difficult to hear the piano, but I did OK. After I finished, a man sitting at a bench behind me requested "one more" song, so I played "Nightminds."

This is a picture of a picture of a cat resting on the piano.  It was taped to the piano.
Piano 26: St. Mark's Church
My energy perked back up after playing at Little Red Square. I walked up Sixth Avenue and decided I would turn right onto West 8th Street. As luck would have it, there was a crosstown bus on 8th right as I turned the corner, so I rode it to the stop closest to Astor Place. There was a bit of a crowd there, so I decided to walk to St. Mark's Church. I had to wait a little bit, but it was nice to sit and rest. An elderly woman threw bread on the ground for the pigeons, and when they flocked to the carbs, it reminded me of Piazza San Marco in Venice. How fitting is it that there are pigeons at two places called San Marco / St. Mark's? Finally, the piano freed up, and I played "Arithmetic" and "Nightminds." A few people stopped to listen and then walked away.

The second player after my arrival at St. Mark's Church
I was content after two songs and decided to head farther east...

Piano 27: Tompkins Square Park
Luckily, it didn't take me to long to find the piano in the park. I was worried I wouldn't find it easily. I noticed one of the previous players from St. Mark's Church had just wowed the crowd and got up. People were taking turns, so a little boy played, followed by another man, then another, and then another.

Then, another guy was summoned back to the piano. He was very, very, very good! He could play a lot of popular (as in recognizable) music, including Neil Diamond and Billy Joel. He could play on request, such as songs by Ben Folds. There was a rousing version of "Army" sung by the crowd. If he didn't know a song from memory, he was very good at improvising. I was amazed. A skateboarder in the crowd requested "Imagine," and while the guy didn't truly know it, he was able to get the basic chords down, and he and the skateboarder did an improvised variation based on "Imagine" that transitioned into a sing-along for "Hey Jude." Several more songs were played until the talented guy's fingers started to bleed. He just said that he couldn't do more "glissandos" (I just looked it up, and technically, the plural is glissandi), but colloquially, "glissandos" sounded perfectly right to me! A violinist turned up to play and sing Johnny Cash's "Folsom Prison Blues" and "Ring of Fire" while he was accompanied by the popular piano player. A guitarist also stopped by to lend his support. The skateboarder borrowed the guitar, and they played an original song and also an improvised blues jam session. It was so amazing.

Fantastic Four: the pop piano player, the skateboarder, the violinist, the guitarist
I was in no rush and loved all the music. Eventually, the pop player got up from the piano, and it was just the skateboard sitting down on the bench with the borrowed guitar, so someone called out for another player. Some people had noticed that I'd been standing around, so they invited me to sit down. A man behind the fence asked my name. I told him my name and what I was playing. He had been the "emcee" at times, announcing people and sometimes cracking jokes, so he said, "This is Allison. She's playing a song from New Zealand." I began to play "Arithmetic" from memory, and the violinist and skateboarder on guitar were able to jump in and play along with me. I loved every second of it. The violinist had a beautiful quality to his playing, and it made that performance extra special. (There are strings used in Brooke Fraser's original recording of the song.) After I finished (and believe me, I didn't want the song to end with that impromptu band), a man asked if he could play a song. He played "Pinball Wizard" by The Who. A woman in the crowd sang it for us all. I was invited back to the piano to play another song, and I said I didn't know anything else from memory but could play something with sheet music, and people were impressed that I'd brought sheet music with me. Before I started to play again, the woman who sang "Pinball Wizard" asked if I knew "(You Make Me Feel Like) A Natural Woman" by Carole King, and I said no... (Second denied request of the day... so sad.) When I pulled out my Missy Higgins' songbook, a woman behind the fence commented that she'd seen Missy open for Ben Folds. I was at that same concert at Terminal 5! I played "Nightminds" for the crowd. And then it was time for me to go. I walked all the way to Eighth Avenue and 14th Street but not before stopping by Stogo on 2nd Avenue and 10th Street for some delicious mango, non-dairy, frozen goodness. I also walked by Astor Place where I saw the pop piano player waiting to play. I decided that Astor Place would just have to wait. Dinner and rest at home were calling my name.

Total Pianos Played By Borough:
Manhattan: 25 pianos
Queens: 2 pianos